Partial Harmonies
...We are living in the moment when an indivisible world harmony and the conceptions it suggests are breaking up, a time when partial harmonies arise everywhere and converge toward a generalized disharmony, something the writer feels strongly he cannot explore without first renouncing this indivisibility that established him, sovereign and seer, in his place and words. To renounce the indivisible is to learn a new way of approaching the world; in doing so the writer learns to deploy all of his works in this approach, to become accustomed to this new and generalized disharmony while trying to follow its innumerable traces.
Whatever attitude he adopts in his rapport with the Other and whatever global vision of the Other he has formed, the writer has no choice but to disturb this vision through his work, even after expressing it in the work. Because finally he must renounce indivisibility and terrifying unicity. The author's way of plumbing the universe is the mark of his relevance, no matter what anguish, doubts, regrets, and remorse he suffers "in private."

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