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To Let Him Pass

You don't have to read his poems autobiographically--and they're too cunningly, winningly imagined to do that--to get a hint of the tempest that was their source. But he also had, right down to his soul (I guess it was his soul), a calm and clarifying equanimity about his purpose on this earth, and always over the years when I would encounter him--a few days in Virginia again, a dinner in San Francisco, a breakfast in Chicago--I would discover my own bristling insecurities melting away in his presence, and would feel my own relationship with poetry renewed. This wasn't because Craig had achieved some sort of monkish calm with regard to ambition (ha!), and it certainly wasn't because he was placidly and brainlessly open to everything he encountered (in fact, he could be quite sudden and sharp in his opinions). No, what Craig had, besides his endless and endlessly inclusive charisma, was a capacity to be at once absolutely grounded in the physical world, and in his own body, and yet utterly, mysteriously permeable.

Christian Wiman, from Poetry, featured on Poetry Daily this week.

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On The Web



Poems


  • "Double Negatives" at ConnotationPress.com
  • Two poems at Anti- (Finalist for the 2008 Sundress Best of the Net)
  • "A Field Guide To Northeast Alabama" (four poems on video) at Southern Spaces
  • "At Liberty" and "Love"at Memorious
  • "The Crowd He Becomes" at DIAGRAM
  • "At Genesse," "Aubade," "DeSoto, After," and "In Arizona When Howard Finster Dies" at Diode
  • Selections from A Map of the County at RealPoetik
  • "At Liberty," "Substantiation," "For Reverend James Reeb," and "For Lamar Smith" at Blackbird
  • "Bunk Richardson," "Consolation," "On Tallaseehatchee Creek," and "Vigil" at Blackbird
  • "Vigil," "Negatives," and "Elegy for James Knox" at Campbell Corner
  • "Walt Whitman in Alabama," "Hush," "Negatives" and "York" at Colorado Poets Center
  • "Signal" at DIAGRAM
  • "Elegy for James Knox" at DIAGRAM
  • "Interferometry" at Greensboro Review
  • "Aubade," "Doppler," "What You Wish For," "Under," "Fell," "Heat," and "Regret/Egret" at H_NGM_N
  • "Legba Says" in Octopus
  • "Still" and "Bye Bye Blackbird/Blackbird Bye Bye" at Shampoo
  • "Panoramic: Landscape With Repeating Figures," "Double Exposure" and "Elegy for Little Girls" at Terrain.org
  • "Virga," "Radiotherapy," and "Diphthong" at Typo
  • "Radiotherapy" at Poetry 365.


  • Interviews


  • With Natasha Trethewey at Southern Spaces
  • With New South
  • With Blackbird, in text and audio.
  • With Kate Greenstreet (first book interview)
  • With Dislocate's Nate Slawson
  • With Town Creek Poetry


  • Reviews


  • Ron Slate's review of A Murmuration of Starlings
  • Bruce Alford's review of A Murmuration of Starlings for the Alabama Writers Forum
  • Microreview of A Murmuration of Starlings at Yalobusha Review
  • Simmons Buntin's microreview of A Murmuration of Starlings
  • Susan Settlemyre Williams's review of Murder Ballads at Blackbird
  • Simmons Buntin's review of Murder Ballads at Terrain.org.
  • Clay Matthews's review of Murder Ballads at H_NGM_N
  • Jeff Newberry's review of Murder Ballads at Poetry Southeast


  • Essays &c

  • "The Marrow of the Bone of Contention: A Barbecue Journal" at storySouth, a 2003 Arts & Letters Daily Article of Note
  • An introduction to Alabama barbecue, on the Southern BBQ Trail at the Southern Foodways Alliance
  • "Recovery: Learning the Music of History" at Terrain.org
  • Five favorite poems at JMWW

  • About



    I am the author of three books of poems: Murder Ballads (Elixir Press 2005); A Murmuration of Starlings (Southern Illinois University Press 2008) the winner of the 2008 Colorado Book Award in Poetry; and Persons Unknown, forthcoming in 2010 from Southern Illinois University Press.

    You can find new work in issues of The Cincinnati Review, Shenandoah, The Southern Review, and Blackbird.


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